How Phish turned Las Vegas’ Sphere into the ultimate music visualizer

“We started with the idea of doing 70 percent pre-rendered scenes, which is done more in a traditional way with CG and all, and 30 percent real time using Unreal Engine and Notch and some AI,” Jean said. By the time the shows rolled around, that balance ended up looking more like 50/50.

Moment Factory also built a mini-dome for test viewings at its Montreal home base. When not there, the company’s artists and designers spent many hours in virtual reality, working with a digital representation of the Sphere to sample how their visualizations and CGI set pieces would look from every angle in the place. “As much as we can prepare for a show like this, there’s no way we can see the outcome before it’s happening in real time,” Jean said. Reading that vibe and responding to it is where the Unreal and Notch-powered animations can prove valuable.

清者自清

離臺前最後一聚 🙏 💖

  了然

Lana Del Rey at Coachella review – a disappointingly lifeless start to the festival

No Doubt at Coachella review – a joyous, high-energy reunion

Do Music Festivals Have a Superstar Problem?

" 好夥伴守則 "

2003

  2003.01（翻唱）

  2003.05

  2003.08

  2003.09

  2003.10

  2003.11（翻唱）

* 東方神起 2003.12 出道

  又這樣

  要這樣
" That 'hold my mic' and then giving great dance moves is now a Dua Lipa brand!
She did it first with her Don't Start Now live performances and now Houdini. "

Composer(s):
Danny L Harle
Kevin Parker (Tame Impala)
Tobias Jesso Jr.

" The biggest thank you to my loves for making this with me, special shout out to everyone featured below! "

https://www.mirrormedia.mg/story/20240301insight001

2022.11

https://reurl.cc/zlLeO6

" Feels like something H&M would blast in their clothing stores honestly "
" When I played this my unfinished basement magically morphed into an H&M "
" The malls finna have a crazy time with this one️️️️️"

  

  : /
想成為你終生未解的懸案

In 2022 Taiwan was the 27th biggest music market in the world, above the likes of Ireland, South Africa and Greece, according to Music Ally sources.

All shot on iPhone by Director Mike Carson. Take a closer look inside USHER’s Apple Music Super Bowl LVIII Halftime Show directed by Jay-Z and Hamish Hamilton. From rehearsals to music’s biggest stage, get closer to the performance than ever before.

Dan Runcie:
The halftime show sponsor switch from Pepsi to Apple reminds me of that quote from Steve Jobs when he recruited John Sculley, who was CEO of Pepsi at the time:
“ Do you want to sell sugar water for the rest of your life, or come with me and change the world? ”

Rob Abelow:
YouTube just introduced 'Remix'.
Every music video just became interactive.

Tap 'Remix' on a music video to bring up 4 options:

𝟭) 𝗦𝗼𝘂𝗻𝗱: Use the audio
𝟮) 𝗖𝘂𝘁: Use a 5-second clip
𝟯) 𝗚𝗿𝗲𝗲𝗻 𝗦𝗰𝗿𝗲𝗲𝗻: Hello reaction videos
𝟰) 𝗖𝗼𝗹𝗹𝗮𝗯: Create alongside it (like TikTok duet)

Boom.

https://www.instagram.com/p/C3SR8O5KnPJ/

https://www.instagram.com/p/C0PXCmoqLKw/

💔

  
My last three months were NG. (👎👎walk away)

Price Anchoring:
" Daniel sets his rate card deliberately high to make Luis’ seem like a bargain. They then do half the cameos each, as no one can tell them apart, and split the money 50/50. "

" 我們就這樣，成為了彼此的人質 "

Before he starts singing, he whips out a pair of glasses and puts them on, saying, “Because the world can have Ken’s voice, but only Barbie can have his eyes.”

https://weibo.com/6935399164/NCmUeBM64

Elephant in the room